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Radziwill was “squatting” at Bessette-Kennedy’s pal and wedding dress designer Narciso Rodriguez’s apartment on the Lower East Side. But it was a very sweet little space.” She felt unmoored to anything. When I was in my 20s, I never went out or went to clubs or anything like that. “Part of that lightness of being was reflected in what I was wearing.So, the Lost Years were also my clubbing years.” It’s also when Radziwill started writing.“They were the years of experimenting. At the time, I definitely wouldn’t have said that or thought that — and probably if anyone would have said something about the sheerness of my fashion, I would have been shocked,” she says.“I did all of the things you’re not supposed to do: sold my apartment, quit my job of 15 years, up-ended my life.So, I landed in this tiny little studio,” she says. Radziwill needed to wear something that was counterintuitive to grief.
“She did that for a while, but they were relentless,” Radziwill says. She really wasn’t.”Radziwill doesn’t keep much, either.
“We have been wearing black, it seems, for three solid weeks.
We are getting good at this, the funerals.” Radziwill goes on to describe the suit she picked out for her husband’s wake, navy, noting that every stylistic decision was punctuated with Radziwill refers bittersweetly to the time that followed as the Lost Years.
(, fashion may have not been top of mind, but it’s where she familiarized herself with clothes in a practical sense.
Her first assignment, which saw her covering landmines in Cambodia, required a certain look. I have to wear safari clothes.’ So, I went to Banana Republic and bought safari clothes.